The reasons for this blog: 1. To provide basic author information for students, teachers, librarians, etc. (Please see sidebar) 2. I think out loud a lot as I work through writing projects, and I'm trying to dump most of those thoughts here rather than on my friends.

Saturday, February 18, 2012

Last night, ending up fleshing out some of the scenes in the ending sequence. Basically I'm writing myself right smack into a brick wall near the very end climactic part where I don't know what happens or has to happen. All I know is what the very, very ending is. Like, the last few lines.

I noticed I didn't have a good feeling about where I ended up last night, and I think that's for multiple reasons.

1) I think I lost track of what my MC was really feeling. I think I got so into what was going on in scene that I forgot what he was like going into it, and what was driving him from right before. So I need to look at that.

2) This part of the story is getting farther and farther away from anything I really know about, into crazy violence and a total mental crackup for my MC. I mean--snap!--he's gone.

3) I've got go bring him back from that and into the story again, which is like, wow. How do you come back from that? I have no idea.

4) Now that some of that ending-sequence violence is being integrated into the story instead of just being free-written snippets, it has the same unreal feel to me that any action scene does, so I can't tell what's working and what's not.

Problems to consider:

a) The climactic part is going to back off the bloody stuff, so it's in grave danger of becoming boring and disappointing.

b) In the climactic chapters, I cannot afford to go with my comfort zone, which is underplayed emotional stuff--this requires action, and that action needs to be milked for its own sake.

c) I'm pretty sure I'll need to go back and take a little of the edge off some of the previous violence, because its explicitness is going to unbalance the ms by putting too much energy and emphasis on the buildup to the climax rather than the climax itself.

d) In general, the key word of the day is balance, balance, balance. The final quarter or so of the ms is going to be tough because it's got to carry as much weight as the previous three-fourths, and make everything that's gone before worth it.

e) I need to go back and look at some of my notes about plot and structure to see if there's anything I should be keeping in mind. I might go back and look at some of the Plot Whisperer stuff I jotted down, all of which I have already forgotten.

I'm pretty scared of this whole ending thing, because I could find that it won't work, and that everything I've built before it is misguided somehow, or wrong somewhere in its core. I'm also scared of not being able to figure it out and having to rely on someone who can't quite nail it either, but whose opinion I have to trust, and then ending up knowing in my heart that the ms failed, that it wasn't all it could have been and should have been, at this time in my writing life. No matter what, I know I'll look back at some point and see where I fell short, but I really don't want to feel from day 1 that something unknowable is wrong about it and have to give up at that.