Okay, I think something that would be extremely helpful is if, while I'm digging into the nitty-gritty details of a page or scene, and while I'm trying to smooth out the series of scenes in a particular section--if while I'm doing all that, I can keep a finger on the pulse of the entire thematic arc, the big main idea of the whole book, then I'll have some direction and focus and not get lost and confused so often.
I read over the first section, and there it was clearly before me--the main idea beaming over my head like a glowing celestial compass--and I tweaked a couple of things so that section came around nicely and made its point and I'd say it's in pretty good shape (this is the first time I've ever said that). So I've got a bead on this project now, I have a grip on it...as long as I don't move forward. Because I know as soon as I dig into the next part, that grip is going to start sliding away.
This will not do. I can't just reread the beginning for momentum every time I start to work, because it'll become meaningless within a day or two, the words having embedded themselves in my brain. I don't know that I can just put the overall big idea on a sticky note to refer back to, because the idea sort of develops and grows and is explained as the story progresses. I guess I could try that, though. Maybe I will.
The reasons for this blog: 1. To provide basic author information for students, teachers, librarians, etc. (Please see sidebar) 2. I think out loud a lot as I work through writing projects, and I'm trying to dump most of those thoughts here rather than on my friends.
Thursday, October 8, 2009
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