No actual writing today, but I've been scribbling notes and trying to work out a plan of attack. I want to work on the middle, which has got preplanned plot stuff to it. But I don't want to get off track and end up with an unusable mess, like I have with some of my other WIPs. I'm trying to come up with an approach to plot that can work for me; obviously the straightforward approach that some other people use isn't my thing.
What I'm going to try now is to look at the overall character arc and keep one eye on where I'm heading--the ending change or realization that takes place in the MC. At the same time I want to look at the plot stuff I have (these are individual scenes where things happen) and try to make sure I can also see each piece in terms of how it affects or shows something along that arc. Then maybe, when all is said and done, the plotting stuff will consist of scenes that do something emotionally as well as story-wise--thus making for a successful read.
I also have a bunch of scenes in mind that are pretty much all emotion--not much going on in terms of action--and I'm not sure how to work those in yet. I don't know if there needs to be a rhyme or reason to it.
I finally had time to take a very close look at some books I'd been hoping would offer some clues about ways to look at plotting vs. that emotional trajectory. I was disappointed to find nothing helpful. It looks like some people have the opposite problem from me, is all I figured out. I guess it was good to get that opposite problem nailed down in detail, though. And maybe I should take another look and see if I can learn something about pacing.
The reasons for this blog: 1. To provide basic author information for students, teachers, librarians, etc. (Please see sidebar) 2. I think out loud a lot as I work through writing projects, and I'm trying to dump most of those thoughts here rather than on my friends.